The label is home to well-known artists such as Juice WRLD, and The Kid LAROI. From Juice WRLD to The Kid Laroi, Grade A continues to set the tone for the next generation of creators. With a presence in the music, film, and art worlds, Grade A strives to be a leader in every industry. At Gradeaproductions we pride ourselves on our extensive and ever-growing experience in video content production. We have worked with many high-profile clients such as B&Q and TK Maxx and our team has worked on productions at Glastonbury festival, Bestival, London 2012, BBC watchdog, and. You can change your consent settings at any time by unsubscribing or as detailed in our terms.
The song “Girl of My Dreams” with SUGA is a pretty awkward romance ballad while the penultimate track “Feel Alone” sees Danny Wolf bringing in some somber guitar chords with Juice talking about depression. And to finish off the album, “My Life in a Nutshell” goes into a cloudier route noting the fact that people knew him for his music & not his struggles before he passed. Use this service to order a certified copy of a document from a company’s filing history.
In July 2014, he made his appearance on the songs, collaborating with a fellow rapper and a Memphis-native Juicy J, and was featured on the remix to “Main Chick” performed by Kid Ink. After a few delays, Bibby’s sophomore mixtape, Free Crack 2, was released on August 29, 2014. Free Crack 2, which was hosted by DJ Drama, includes guest appearances from Lil Herb, Wiz Khalifa, Juicy J, Kevin Gates, Jadakiss and Anthony Hamilton, among others.
Grade A Productions has welcomed many diverse and talented artists, such as The Kid LAROI, Clever, and Seezyn. Grade A Productions has welcomed many diverse and talented artists, such as The Kid Laroi, Clever, and Seezyn.
The mixtape features guest appearances from these newcomers Lil Herb and King L, while the production was handled by Hit-Boy, Young Chop, and The Olympics, among others. The tape combines his distinctive gruff and imposing voice, along with a solid delivery and flow. The music videos were released for tracks such as “How We Move” featuring King L, “Change”, “Water” and “Tired of Talkin'”. In December 2013, in an interview with XXL, Bibby hinted that the next step for his career could be an EP. In 2014, it was also stated, that the rapper Drake was a huge fan of Bibby and that they’d spoken in 2013, before the release of Bibby’s debut mixtape. Bibby said it pushed him to improve his debut release, adding the tracks “Water” and “Whole Crew”.
Bibby and George Dickinson soon after partnered with Peter, to create a label that could be the home for emerging acts. Peter has now proven himself to be one of the more adept artist managers, successfully managing some of music’s brightest names over the past years. These names include The Kid Laroi, Trippie Redd and the late, highly revered Juice WRLD. With partners Lil Bibby and George, Peter is helping control a corner of Hip-Hop’s bustling scene. From artist development to licensing and merchandise, Peter has found success in a number of areas within the industry. Always striving for more, the sky is the limit for Peter’s future endeavors. Vice stated that Bibby’s first mixtape was cleared from its influences from both of these rappers.
Polo G & Trippie Redd tag along for the “Feline” even though the mellow beat doesn’t really shit the combative lyricism while “Relocate” almost has a country trap vibe to it talking about his success. After the “Juice Speaks 2” interlude, “From My Window” continues to fuse guitars with snares talking about living like Rambo whereas “Until the Plug Comes Back Around” has a trippier sound once more detailing drug addiction. “Go Hard” has one of the weaker instrumentals on the album even though I like that Juice’s basically paying tribute to Ally Lotti & after the “Juice Speaks” interlude, “Not Enough” is a badass rap rock tune about failed relationships.
Able to pay attention to detail and stay focused in a high production repetitive environment preferred. I was honestly a bit worried about how this album was gonna turn out, but I ended up enjoying it quite a bit & it’s definitely one of the better posthumous outings I’ve heard all year. Only a couple of the joints on here seem cobbled together, but the rest is just fully fleshed out AND they’re actually enjoyable for the most part. “Burn” is a bittersweet opener produced by Metro Boomin’ opening up about Juice’s drug addiction whereas “Already Dead” finds Nick Mira working on some pianos & the dude is essentially foreshadowing his own death through the lyrics. Gezin keeps the heat going with “You Don’t Understand” talking about never giving a fuck about anything, but then the Justin Bieber-duet “Wandered to LA” just seems like a forced attempt at a radio hit & that’s not Juice’s fault at all. Check back later, or use My Beatport to follow this label and get notified of new releases every week.